Sunday, March 31, 2013

Vito Acconci Reading



Public Space in a Private Time by Vito Acconci was a very interesting reading. What I liked about the reading was the slow transition from the past into modern times. In the reading, Acconci talked about a variety of things such as public and private spaces and types of art. He starts off with talking about how everyone in the past would be able to tell what time it was by walking down a street. It was a public thing because every store had a clock that was visible to the public. Acconci then mentions the use of the watch. People no longer needed the stores to see the time. The watch made time more personal and private. The watch was simple, cheap and affordable and then it had improved with a built in calculator. It was a more fancy and personalized item. Later in the reading, the watch’s place of origin was discussed. The watches were originally made in the United States but as time passed they were made in foreign countries such as Taiwan or Korea because production cost was much cheaper.
There was a lot of discussion as to what is “public” and “private.” Acconci wrote how one thing could be public in some situations but private in other. It was interesting to think about an art piece and the relationship to an audience. For example, a painting in a gallery will be seen by many people and it will be one of many paintings in a gallery. This would be considered to be in a public space. The private space would be in the house of art collector. Only a few people would see the painting and have more time to analyze it. I think that Acconci was trying to accomplish two things. One of them was the evolution of products such as the watch. The other was proving a relationship between public and private things. It was a complex reading that had many other topics such as music and sex that showed some connection with public and private settings. I enjoyed the reading because of the points that Acconci made on changes that have happened over time.

Sunday, March 24, 2013

Kenny Chesney Digital Portrait

My completed portrait of Kenny Chesney. I feel that this one looks better than my first attempt.

Vector Image Fail!

My first attempt at making a digital portrait on adobe illustrator. After so many hours into the project, i decided to give up on this one and start a new one. 

Sunday, March 3, 2013

Vector Artist: Chris Nielsen


Chris Nielsen
http://www.automotiveartists.com/wp-content/uploads/2009/03/ap_chrisnielsen.jpg

Chris Nielsen is a vector artist that uses photorealism to create his work. He received his MFA from California State University and is currently an Associate Professor in Southern California. Nielsen uses Adobe Illustrator for his images. He does not use any effects or filters in any of his images. The process of creating his images begins with a photograph that he has taken. The subject matter for his work is motorcycles. He focuses on small sections of the motorcycle and not the whole thing. Nielsen uses that photograph as a base to create his image. He uses only flat colored shapes to make the image and has a lot of layers for one image. On his website, there was a screen shot of 200+ layers with multiple sub layers in one of his images. Chris Nielsen includes in his artist statement that he is an admirer of Chuck Close and Richard Estes. It is visible that Chris has used some of Chuck Close’s process to create his image because he is using a photograph as a base for the final image
 http://www.vectorvault.com/wp-content/uploads/2008/04/chris-nielson-vectorvault-21.jpg
 When someone first looks at Nielsen’s work, it feels like if you were looking at picture of a motorcycle. Once you have looked at it for a while, you begin to realize that it is a digital image. It is interesting that Nielsen chooses to work in sections instead of the object as a whole. The image is really detailed and looks realistic. Nielsen’s goal for his images may be to focus on the small details that people wouldn’t normally look at in a motorcycle. The images are also showing his skill in the medium. There is a lot of detail and he is able to create it without using any effects available on the software.
http://www.vectorvault.com/wp-content/uploads/2008/04/chris-nielson-vectorvault-11.jpg

Chris Nielsen’s artwork is successful in many ways. The most obvious way is the realism displayed the image. The shadows on the license plate frame and the shine on the chrome are just two examples of how Nielsen has successfully replicated these objects. The lighting in the image is nearly perfect because the shadows are in the right places. Overall, the images are great and there is nothing that could be done to make it better. 

Works Cited:

http://www.vectorvault.com/wp-content/uploads/2008/04/chris-nielson-vectorvault-21.jpg
http://www.vectorvault.com/wp-content/uploads/2008/04/chris-nielson-vectorvault-11.jpg
http://www.automotiveartists.com/wp-content/uploads/2009/03/ap_chrisnielsen.jpg
http://www.pentoolart.com/statement.html
http://www.vectorvault.com/2008/04/29/chris-nielsen-vector-motorcycle-artist/